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Rabu, 13 November 2013

The Fox (What Does the Fox Say?)

The Fox (What Does the Fox Say?)

The Fox (What Does the Fox Say?)", is an electronic dance song and viral video byNorwegian comedy duo Ylvis. The video was posted on YouTube on September 3, 2013 and has over 213 million views as of November 11, 2013.[2] "The Fox" has so far had its peak at number 6 for three consecutive weeks on the Billboard Hot 100,[3][4] and is also the highest-ranked song by a Norwegian artist on the chart since a-ha's number-one song "Take on Me" in 1985.
The song was released as a single on iTunes in Norway on September 2, 2013[5] and it was planned to be released on iTunes in the United States on September 9.[6] However, it remained unavailable for one week due to allegations of copyright infringement by a third party.[7] It became available on the U.S. iTunes on September 16[8] and has peaked at number 5 on the Top Songs chart from October 11 to October 12, 2013.[9] There are currently no plans to release an album including the song or any sequel to it.[6][10]

Production

The brothers Vegard and Bård Ylvisåker, members of the Norwegian comedy group Ylvis, produced the song and music video "The Fox" to promote the upcoming third season of their television talk show I kveld med YLVIS (Tonight with YLVIS) on TVNorge. In an interview with Norwegian newspaper Aftenposten, the brothers stated that the idea about a song about a fox was originally conceived in 2012, but then shelved. Half a year later, in 2013, Bård and lyricist Christian Løchstøer began to play with the idea once again. Vegard was initially skeptical about making a song about a fox, but soon relented.[11] In an interview on the Norwegian-Swedish talk show Skavlan, the brothers mentioned that given the opportunity to collaborate with Stargate, they originally wanted to make a dance songabout men who cannot dance or dread dancing and named it "The Dancing Stick", but felt that the idea was "too clever" and they would appear to try to make a hit. The idea was therefore scrapped and "The Fox" got released instead.[12]
Bård described the writing process for "The Fox" in an interview with Billboard in the United States: "The way we work is we just sit around and talk about things and get ideas and take some notes. I guess we must have been talking about what sound a fox makes. And then we had a chance to work with Stargate, a production company in New York City... We actually did a favor for them and we asked them if they could produce a song for the new season in exchange".[6] Tor Erik Hermansen of Stargate recalled in an interview with Spin that the favor was actually a mockumentary done by the Ylvisåker brothers to celebrate Mikkel Storleer Eriksen's 40th birthday, in which they pretended to be the Stargate duo.[13] Australian producer M4SONIC was also involved in the production.[14]
Bård, being interviewed by Entertainment Weekly, talked about their intention of making "The Fox":
“As comedians, it wouldn’t be a good thing if we went to pursue a hit in the States because they could potentially make something that became big, so we thought it would be more fun from a comedian perspective to come home to the talk show and say, ‘Listen we had the chance, we could’ve made it big, but the only idea we got for the song was this old idea about what the fox says so we’re sorry. We screwed up.’ That was the plan... That would’ve been funny to say on the talk show."[15]
M4SONIC described producing "The Fox":
“I was over in the US with a production duo called Stargate working with Sia and Nadia Ali. One of the beats that I made we kinda put to one side as it wasn’t really going anywhere. I’d totally forgotten about the track until I stumbled across The Fox video on YouTube. It turned out that Tor and Mikkel (Stargate), who are Norwegian, are friends with Bård and Vegard Ylvisåker (Ylvis). Stargate gave Ylvis a copy of the beat that we made to use for a video they were doing to launch their comedy show in Norway. I think the whole thing kinda ‘snowballed’ and was an accident on their side as well. No one really thought it would be a top 10 Billboard track!"[16]

Analysis

In our show last season, we went toKyrgyzstan in Central Asia and tried to become pop stars there. The idea was that we'd never become pop stars in the U.S. or England, so we chose another country where it would be easier. We did all kinds of stupid things: performed at weddings. The whole humor is that we didn't succeed and had lots of obstacles. The obstacles generated the comedy. Then suddenly we're on this trip to America, the place people want to go, and there's no obstacles. Every doorway is open... and there's no comedy.
Vegard Ylvisåker, when asked about the impact of the popular song on I kveld med YLVIS, mentioning their Big in Kirgisistan segments[10][17]
Tris McCall of The Star-Ledger describes "The Fox" as "a parody of the excesses and absurdities of contemporary club music": the brothers "take turns singing preposterous lyrics about animal noises" over "typically vainglorious synthpop," with the proposed fox sounds "mimic[king] the car-alarm synthesizers of contemporary dubstep." He compares it to Ylvis' "Someone Like Me," which mocked the insertion of dubstep breaks into pop songs.[18] Danielle Seamon of The Lantern acknowledges that while some may be "extremely perplexed by the attention stupidity and bizarreness collects in 2013" displayed by the song, it is in fact "meant to be a funny and almost satirical to pop music", and Ylvis has "pushed everybody’s buttons by breaking and manipulating every rule of a Top 40 pop song."[19]
Caitlin Carter of online music site "Music Times" echoes the comments above, adding that "The Fox" becoming the first song to get serious recognition "makes [the staff at Music Times] wonder", as the duo's other songs and videos prior to the release of "The Fox" "are just about as random and melodramatic", such as "from contemplating the meaning of Stonehenge" ('Stonehenge'), to scientifically examining the inner-workings of the female reproductive organ ('Work It'), to honoring a United Nations Human Rightshero ('Jan Egeland')."[20] Jonathan Ore of CBC News, although calling "The Fox" a "catchy tune [...] paired with the most absurd lyrics this side of the theme song to DuckTales", also gives the comedy duo credit for "the arguably better" "Stonehenge".[21]
Speaking of the meaning of the song, Vegard characterizes it as coming from "a genuine wonder of what the fox says, because we didn’t know."[22] Bård, however, called the song "a stupid thing" and that "even though people find it interesting, it's still a stupid fox song, and when people start to get over this, it gets even worse, because it is so stupid."[10]
Although interpreted by some commentators as a reference to the furry fandom,[23] the duo have stated they did not know about its existence when producing "The Fox."[24]

Music video and composition

Vegard Ylvisåker (left) in animal costume in the music video
The video was released on September 3, 2013. It is performed in the style of a typicalelectronic dance pop song, and the lyrics are sung "with deadpan seriousness."[25] The video was originally created to promote the brand-new season of Ylvis' talk show I kveld med YLVIS on TVNorge but was released on TVNorge's YouTube channel and went viral. The video was directed by Ole Martin Hafsmo with cinematography by Magnus Flåto. The choreography was done by Thea Bay. The forest scenes were filmed in Nittedal municipality, 22 kilometers from Oslo downtown.[26]
The video begins with Bård singing at a costume party where other participants are dressed as different animals, whose appearances follow the progression of the lyrics. He gives a summary of animal sounds ("Dog goes woof/cat goes meow", etc.) that "could have been lifted straight from a pre-school primer" and asks "what does the fox say?"[18] The group then transitions into a synchronized dance scene in a forest with Bård in a bear costume and Vegard a squirrel costume (as they failed to find any fox costume in the Norwegian Film Institute the day before filming), complete with face-paint and giant, bushy tails.[27]
During each chorus, the song offers several increasingly absurd possibilities for the fox's sound such as "gering-ding-ding-ding-dingeringeding!" and in the second chorus where Vegard sings "fraka-kaka-kaka-kaka-kow!"[14][28] Among the dancers, an elderly man is shown reading the lyrics from a book to a boy sitting on his lap. The song then describes the fox and the singer's admiration for it, and asks whether it would communicate with a horse using morse code. In the end, the singers float in the air and a computer-animated fox stands and scat sings (voiced by Vegard) while Bård finishes the song with falsetto.[29] With the chord progression of C#m—B—F#, the song is written in the key of C#minor.[30]

Reception and response

In the U.S., "The Fox" debuted on September 12, 2013 on the Billboard Hot 100 at number 29, and at number 3 on the Streaming Songs chart.[31] It later reached the top spot on the Streaming Songs chart for the weeks ending October 19 and November 2.[32][33]The song in the following week has also broken into the Hot Digital Songs top 10 at number 8 with 108,000 downloads during the week and debuted on the On-Demand Songs chart, when it sits in the top 10 of Hot 100 for the third week.[4] The music video's viral success and catchiness has also drawn comparison to that of PSY's "Gangnam Style".[34][35] It took 35 days to hit 100 million views, compared to 51 days by "Gangnam Style" to reach the mark.[36]
Ylvis were signed on by Warner Music: Vegard has stated that the "record deal was landed way before 'Fox' — in the spring sometime."[10] Their first live performance in the United States was on September 20, 2013 at the iHeartRadio Music Festival in Las Vegas.[22] They also appeared on The Ellen DeGeneres Show on September 20, Late Night with Jimmy Fallon on October 9 and The Today Show on October 11.[37][38][39] After their appearance at the 2013 MTV Europe Music Awards in AmsterdamNetherlands on November 10, they are scheduled to perform on the annual fundraising telethon Children in Need on November 15, which will be their first performance in the United Kingdom; later at the Mnet Asian Music Awards ("MAMA") at Hong Kong AsiaWorld-Expo on November 22, the biggest music festival in Asia.[40][41][42][43]
Ylvis were surprised by the international success of the song, intending only to target their Norwegian audience.[6] Bård said he was "quite surprised" and that it was "supposed to entertain a few Norwegians for three minutes — and that's all."[14] Vegard described it as "definitely very shocking."[24]
Like many viral music videos, "The Fox" has become an Internet meme and has been extensively covered and adapted by others, with some of the most prominent including a cover by The Ohio University Marching 110 who had previously covered "Gangnam Style" and LMFAO's "Party Rock Anthem";[44] a cover by Tay Zonday of "Chocolate Rain" fame;[45] an acoustic guitar cover of the first verse byTyler Ward;[46] an adaptation based on the popular video game League of Legends entitled "What Does Teemo Say?";[47] an advertisement for the Fox Network featuring clips of FOX programs and actors singing the song;[48] and an adaptation by Annoying Orange entitled "The Sock."[49] The video was also featured twice by the Fine Brothers on their popular series Elders React and Teens React, which show reactions of elderly people and teens to YouTube videos, respectively.[50][51] On October 28, four contestants on theseventeenth season of Dancing with the Stars performed the song for the "Team Dance" week under the team name "Foxing Awesome", scoring a perfect 30.[52] NBC's Saturday Night Live cast-member Jay Pharoah and host Kerry Washington appeared in a parody video of the song titled "My Girl" on November 2, 2013, featuring a boyfriend got caught by his girlfriend for sexting with other girls.[53][54]
Due to the popularity of the song, TMZ reported on October 18, 2013 that two weeks away from Halloween, the sales of fox costumes had already risen by almost 40% at one costume outlet from last Halloween, according to the data from Spirit Halloween,BuyCostumes and Amazon.[55] The song has also been synchronized with a "singing Halloween house" by the neighborhood in Edwards Landing, Leesburg, Virginia, who every Halloween creates an LED light show with a hit song.[56] Ylvis has signed a deal withSimon & Schuster to publish a children's book based on the song to be released before the end of 2013.[57]



CMO = Content Marketing's Obligatory

CMO = Content Marketing's Obligatory

Like the fairest belle at the ball, content marketing danced across the 2013 stage, grabbing headlines and conference slots, nearly displacing social media as the year’s hot topic. However, seasoned marketers found all the recent attention mildly amusing given that content creation has been on their marketing dance cards for years. 
Five highly successful marketers shared their thoughts on content marketing with me as part of a larger study commissioned by The CMO Club among recent winners of The CMO Awards. Despite the extreme differences of targets and industries, these professionals share a common commitment to creating relevant content that is of genuine value and emphasizes engagement over self-promotion. 
Stephanie Anderson, CMO, Time Warner Cable Business Class: “Content marketing is hot, but not new. In technology, that is the way we work—be relevant, educate and then solve. We are increasing our investment [in content marketing], not because we are following a trend, but because our own thought leadership and solutions have advanced and we need to be able to tell our stories quickly and with the prospect or customer in mind.”
Beth Comstock, CMO, GE: “We’ve been on a path as a content producer for several years now. We’ve widened our definition of content to include data, experiences and, yes, emotional connection and even humor. Content has to be useful and relevant to be effective. We’ve invested in a range of skills like data visualization and user interaction design as a way to drive content that is engaging and relevant. The marvels of science, engineering and manufacturing offer good fodder for content, and we’re constantly seeking out storytellers who get as excited about this as we do.”
Marty St. George, CMO, JetBlue: “I think ‘content’ is a concept that's going to become obsolete very soon; rather than focusing on content as a means, we focus on engagement as the end. Content is one of many ways to create engagement, but certainly not the only way. We have done some innovative programs (like Getaway With It) but we do it with the goal of engagement.”
Michael Lacorazza, SVP Brand & Advertising, Wells Fargo: "We view all of our communications as content, even our paid advertising. And, more than ever, there needs to be a value exchange with the customer. Marketers can no longer ‘message’ at the customer at scaled weight levels. The customer expects much more and looks to us to deliver relevant content on their terms.”
Raj Rao, VP of Global eTransformation, 3M: “We do believe that content marketing holds the key to success with our top two digital priorities. Through our work in the healthcare (dental) industry, where we've invested in several content marketing programs, we have seen strong progress with eCommerce sales and actionable insights based on customer engagement. In the social media programs, content marketing is driving much stronger brand engagement, fueling the growth of advocates and influential followers on LinkedIn, Facebook and Twitter. In China, our content programs in TMall and Weibo are leading to remarkable improvements in sales for both B2B and B2C sales.”

Twitter Becomes a Content Discovery Layer: Implications for Marketers

Twitter Becomes a Content Discovery Layer: Implications for Marketers

Is Twitter worth $18 billion following its IPO last week? I am not an investment adviser, but what I do know is that Twitter is an important investment for content marketers. In a fast changing world, insights are the new currency and Twitter can provide unique insights that are not readily available elsewhere. It is becoming an important social discovery tool for users.

Think You Know Twitter? Think Again

Twitter is not what it was. More than a social network, it is becoming a content discovery engine for users, which has significant implications for marketers. Let’s start by looking at some of the changes taking place.
1) Active engagement on Twitter is growing. According the latest surveys 59% of account holders are now active on a monthly basis, up from 50% in Q2 2012. Pew Research found that 56% of social network users either specifically create content for their platform or curate content on the platform. 32% of users did both. These users are increasingly sharing things that they think their followers will find helpful.
2) In the new world, news breaks first on Twitter. Tweets about the raid that discovered Osama Bin Laden, or the plane on the Hudson River, were the starting point for news stories. NASA announced the discovery of ice on Mars via a tweet from its @MarsPhoenix account. "Best day ever!!" it declared.
Newsrooms have adopted social media, using it not simply as a broadcast platform but as a source. A different  Pew Research survey found that Twitter news consumers are more educated than the general population. Four-in-ten (40%) of Twitter news consumers have at least a bachelor’s degree, compared with 29% of the total population.
3) People are using Twitter as a source of discovery. Only half of active users post updates, which means that half of the active user base must be reading or using Twitter as a source of discovery. The growth in content creation and curation, plus the use of Twitter for news updates means that users turn to Twitter to discover things. Users may get news and industry updates posted by people they follow or search twitter for such news and updates.
4) Twitter is increasingly being used as a tool rather than a social network. Data licensing is Twitter's second major revenue stream, as it sells its public data of about 500 million tweets each day. This allows companies to analyse consumer trends and develop insights based on this data. On the financial markets, analysts have started using Twitter and the sentiment of tweets to predict the future value of businesses.
5) Tweets last longer than you think. It has been said that the life of a tweet is 15 minutes, an hour or 24 hours. Analysis has shown that 75% of clicks on a tweet occur in the first hour. This may be true, as the visibility of Tweet declines rapidly in timeline views but increasingly Tweets are being viewed days and weeks later. Social analytics tools increasingly search for the most shared tweets in the last 24 hours, week or month. Thus if your tweet is retweeted extensively it may continue to show in such search results for some time.
6) Twitter is mobile. The IPO filing said 75 percent of users accessed the service from a mobile device (tablets and phones) or around 163.5 million monthly active mobile users. Advertising income from mobiles accounts for over 70% of Twitter’s advertising revenue.

Twitter: A Social Internet Discovery Layer

In my view Twitter is no longer simply a social network or a personal publishing platform, it is becoming an important layer that helps users discover specific content across the internet such as news, events and updates. It is a tool more akin to Google but for specific purposes, if you want to know the wifi code at an event or to know what people think about the latest episode of Breaking Bad then you are probably best starting with Twitter, especially as it is easily accessible from mobile devices.

What Does This Mean for Marketers?

In 2011 Twitter drove just 4% of all visits to corporate websites from social media sites, that has risen to 14% in 2013. It is clear Twitter is becoming more important in the way people discover content. If people are using Twitter as a discovery engine then marketers need to:
1. Create and curate content for twitter that can be found easily. Ensure you share content that has value and explain why it has value in the tweet itself. The more you provide valuable content that is helpful to people the more they are likely to curate it for their own followers. The most valuable content provides answers to questions that users may have.
2. Provide mobile content. This goes without saying. If 75% of Twitter users use a mobile device then clearly if they discover your content via Twitter then it absolutely has to be mobile friendly.
3. Create time sensitive content. Time sensitive content is critical on Twitter. Thus if there is a news event in your industry you should use this interest to your advantage, for example by providing a viewpoint from your experts. You should be careful though about news jacking outside of your area and always have value to add. You should also share breaking news. Monitor news sites and be the first to share breaking news. You can use news feeds and social sites to be the first to pick up on breaking news. Similarly you can share insights from the latest research in your area.
4. Create event sensitive content. Use event hashtags to highlight new content which is of interest to potential buyers attending the event.
5. Use Twitter as a discovery layer yourself. Use insights from Twitter to improve your content marketing. Conduct searches to review what is hot in your area,  who the influencers are and what the key trends are. There are many tools that will help you. Two of my favourite free tools are:
  • BuzzSumo - Use social insights from BuzzSumo, a free analytics tool. See post on how to use BuzzSumo to analyse what content is being shared and who key influencers are across Twitter and other social platforms.
  • Topsy - Topsy has indexed every Tweet and produces very powerful search results, sentiment and influencer analysis. See the previous post on six essential Topsy searches

How to Target the Lazy Web User (and We Are All Lazy)

How to Target the Lazy Web User (and We Are All Lazy)

We are all pretty well-trained web users. Believe it or not, you have a clear idea of where most things are on a web site. Like a mouse in a maze, you can find your way to the login button, the copyright statement, the main menu of the site, and someplace where you can contact the owner of the site. No one ever sat you down and told you this, but by repetition and regular experience online, you've come to know it.

On the one hand, this is great. Your time online is made more efficient by a general, unspoken standard for placement of links to common functions on a web site.
On the other hand, this creates a conundrum for web designers and for you as a web site owner. You want your site to be easy to navigate for the lazy users who are used to finding their cheese in the same place every time, but you don't want your site to look like every other site on the internet. What's a creative, forward-thinking business owner to do?
I think it's important to understand your users' expectations. No matter how creative you are, the end goal of most organizations' web sites is to communicate information to their customers, donors, or readers. When they expect to find information in one place and don't see it there, a portion of them (maybe a large portion) are going to just give up. The lazy user says: I would have made a donation, but there wasn't a link on the home page! or They must not have any events coming up -- the home page just had their mission statement and an article from the paper.
The infographic below -- giving the sample "Predictable Web Site" -- illustrates the most common places people expect to find things as they use the web. When you think about even huge information-dense web sites like Amazon, CNN, or even your local public library, you'll generally find these "rules" to be true.
predictable web site infographic
You may disagree -- especially in the case of social media icons and buttons, which really haven't found one "it's-always-HERE" home yet -- and if so, you'll need to test your theory by putting it into action on your site. Watch your analytics to see if people are clicking on the things you expect or if they can't seem to find it. See how long they spend on a page before clicking on a link or just leaving your site.
There are hundreds of articles online about the way users interact with pages -- how big to make things, where to put them, what color things should be, etc. -- and I'll get to more of these issues in future posts.  In the meantime -- do you disagree with any of my rules for lazy users? Have you moved things around and had fantastic results?

4 Ways to Spice Up Your Events with Social Media

4 Ways to Spice Up Your Events with Social Media

Event planning can be fun and stressful. I personally believe that you can leverage social media to ensure that all your hard work and planning doesn’t go to waste. Using social media before, during and after your event can really help enrich the experience for your attendees. Need a few ideas on how to utilize social media for your next event? Well, you are in luck! Check out these four ways you can spice up your events with social media.
1. Plan and Promote
When it comes time to promote your upcoming event, you have to do more than post flyers and blast your email list. There HAS to be some sort of social element to your planning and promotion. Immediately set up an Event on Facebook and be sure to keep it managed. Facebook Events are a pretty solid base to begin promoting your shindig. When setting up your Event, be sure to fill out as much information as possible and encourage people to RSVP so you can get a feel for the possible turnout. I highly recommend inviting those that make sense and politely asking them to share the event with others. Definitely don’t spam-invite people or you will annoy the heck out of them, thus they won’t attend. Since you are inviting all of these folks to your Event on Facebook, it’s a good idea to have some fun content within the Event page itself for them to interact with. Once everything is all set up, people are invited and content is in place, it’s time to venture outside of Facebook and share the link with your other social channels. Of course, all of this information could live on your website (if you have one), however Facebook’s Event feature has worked pretty well for me in the past. Promoting your event isn’t a one action effort; you have to make sure that you tactfully promote your event consistently up until the event date.
2. Real Time Engagement
OK, so you planned and promoted your event and the big day has arrived. I recommend having some sort of real time social engagement during the event. Inevitably, people will be clutching their smartphones texting, tweeting, checking in and instagramming their experience. You HAVE to have someone doing it alongside them. Hopefully you have created social accounts for your event and have the ability to engage with attendees in real time. Imagine how excited YOU would be if you attended a music festival, tweeted about it and the festival tweeted you back? Acknowledgement goes a long way in the social media world, so be sure to reward the social buzz during your event with real time engagement. The more YOU engage with event attendees, the more social buzz you create. You never know who might decide to show up last minute because of what they saw on Vine, Twitter or Instagram. Having a designated hashtag for the event as a whole will centralize the discussion and make it easier for you to find the awesome conversation.
3. Listen and React
Not only does social media allow you to engage with event goers in real time, it also allows you to keep tabs on the sentiment of your crowd. You would definitely want to know if a parking situation came up or if the bathroom was gross, right? It is very likely that people would take to social channels to complain. Take time out periodically to check the social conversation to be sure nothing has gone awry. Having a dedicated hashtag can make this a bit more manageable. During events SOMETHING is sure to go wrong at some point; you have to be on top of it and ready to help turn the situation around as quickly as possible for the sake of your attendees (current and future).
4. Activate Your Attendees
This is probably my absolute favorite thing to do when trying to make events more social. If you don’t have the resources to manage a social conversation during your event, why not activate a few of your attendees to do it for you? Invite people who have RSVP’ed or expressed interest in your event to come and catalog their experience via social media. This is especially useful if the event has a cover charge or tickets need to be purchased. Imagine the excitement you would feel if you were invited to go to an event for free, all you had to do was tweet about your experience while there? These people will become “social journalists” in a way and can really help stimulate the digital chatter that will make your event stand out. Hopefully, the people you select are super excited about the event itself and the opportunity. People will be posting to social anyways, however this tactic allows you to add a “super-fan” to the mix that is focused on communicating the offline experience to the online world. Plus, it won’t kill you to allow a few folks in for free in return for their social effort.
These are only four of the many ways you can make your upcoming events more social. Do YOU have any creative ways that you have integrated social media into your event? Tell us in the comment section below!